1,120 search results for “arabisch music” in the Public website
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What is shared and what is unique in language and music
Knowledge and culture subproject 1:
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In the Making #8: Musical Networks and Algorithmic Emergence in the Times of Artificial Intelligence
Arts and culture
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Coarticulation and polyphonic expression in the performance of piano and organ music
Performances of solo keyboard repertoire can sound more or less polyphonic depending on the performer’s use of divergence in expression.
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Moving Early Music: Improvisation and the Work-Concept in Seventeenth- Century French Keyboard Performance
How can historically-informed performers step outside the confines of the work-concept?
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The Palestinian music-making experience in the West Bank, 1920s to 1959: Nationalism, colonialism, and identity
Before 1936, musical practices in Palestine relied heavily on colloquial poetry, especially in rural communities, which constituted most of the population. In this dissertation, Issa Boulos has examined historical records that revealed many differences and similarities between Palestinian communities…
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The Recording Industry in Indonesia and Its Approach to Minangkabau Music and Oral Tradition
'Audible locality' is the first thorough study on the cultural ramifications of recording technology on ethnic sensibility in Southeast Asia. Exploring chronologically the representation of Indonesia's regional culture through recording media, it recounts the Dutch East Indies colonial society's initial…
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Articulating Modernity: The Making of Popular Music in 20th Century Southeast Asia and the Rise of New Audiences.
Who were the main artists and producers who generated new forms of popular music? What was the music like that was produced by artists in particular urban settings? How were particular lifestyles articulated to identify new audiences and what does this reveal about the way popular music contributed…
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Artistic Research in Music: Discipline and Resistance - Artists and Researchers at the Orpheus Institute
Artistic research has come of age, and with it the Orpheus Institute. Founded twenty years ago, the Institute’s purpose from the start has been to pursue research through the practice of musicians.
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Music production and its role in coalition signaling during foraging contexts in a hunter-gatherer society
For the first time, a group of international and interdisciplinary researchers led by Karline Janmaat and her former MSc Student Chirag Chittar, have tested the several hypotheses on music simultaneously in a modern foraging society during their daily search for tubers – their staple food. They found…
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Picturing Silence: Markers in Musical Performance as a means of Understanding Silences
PhD defence
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How music shaped a Cabo Verdean community in Rotterdam
Seger Kersbergen studied the Cabo Verdean nightlife in Rotterdam. He explains how their music describes their nightlife and daily lives.
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Book: Sonic Modernities in the Malay World, A History of Popular Music, Social Distinction and Novel Lifestyles (1930s – 2000s)
Sonic Modernities situates Southeast Asian popular music in specific socio-historical settings, hoping that a focus on popular culture and history may shed light on how some people in a particular part of the world have been witnessing the emergence of all things modern.
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Marcel Cobussen Lecture: What can music offer our contemporary society?
ACPA Professor of Auditory Culture and Music Philosophy Marcel Cobussen will give a lecture at the Gaudeamus Academy Workshop Weekend. The GMW Academy is a prelude to the contemporary music festival Gaudeamus Muziekweek, taking place from 7 to 11 september in diverse venues within the center of Utr…
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Creating and Re‐creating Tangos: Artistic Processes and Innovations in Music by Pugliese, Salgán, Piazzolla and Beytelmann
In this dissertation the author digs into the constituent elements of River Plate tango in order to decode how specific musical materials were organized and combined by four outstanding musicians: Pugliese, Salgán, Piazzolla and Beytelmann.
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The pathways of music improvisers
Improvisers in experimental music do not record their music in a conventional score, but in ever-changing 'tactile pathways'. This is the proposition put forward by researcher Christopher Williams. PhD defence 13 December.
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Fleur Bouwer
Faculteit der Sociale Wetenschappen
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Siyun Wu
Faculteit der Sociale Wetenschappen
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Ned McGowan
Faculty of Humanities
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creative thinking and experimenting in the performance practice of complex music from 1962-today
The thesis wishes to examine the pathways of thought underlying the creative act of music making and the performance practice of complex music from the late twentieth and early twenty-first century.
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The ACPA launches MOOC Music & Society
Leiden University Academy of Creative and Performing Arts (ACPA) launches the open online course Music & Society on Coursera to advance worldwide access to high-quality education. The course starts on January 9, 2017 and will be taught by Prof. dr. Marcel Cobussen and drs. Hafez Ismaili M’hamdi.
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theories of Moses Mendelssohn and Johann Georg Sulzer in the Berlin salon music of the 1750–80’s
My research focuses on theories of the sublime by the Berlin Enlightenment philosophers Moses Mendelssohn (1729–86) and Johann Georg Sulzer (1720–79).
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Music and the Brain
Two events on Music and the Brain will be held in Leiden later this month.
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Tactile Paths: on and through notation for improvisers
Tactile Paths is an artistic research project that aims to expand and articulate the feedback between notation and improvisation in experimental music.
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Book: Music of Possibility
Music of Possibility is a personal account of what, for composer Richard Barrett, are the most consequential areas of twentieth- and twenty first-century musical innovation, and how, together with a web of technologies, cultures and politics, they have informed his creative practice.
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docARTES
docARTES is a doctoral programme for performers and composers. It offers a unique environment for critical reflection on musical practice.
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The Informed Performer- Towards a bio-culturally informed performers’ practice
Playing a musical instrument is generally considered to be a complex human behaviour involving the integration and coordination of a broad range of human functions such as perception, imagination, memory, information processing, emotion, communication, and dexterity.
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Revolutie of zinsbegoocheling?
Wordt het nog wat met de Arabische lente?
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Singing parrots wanted: is our musicality unique?
Is our musicality unique? That’s what the Bird Singalong project aims to find out. And for that, they need the help of feathered friends from all around the world. ‘By researching how parrots learn songs, we also learn more about the origin of our own musicality.’ Do you have a parrot that can sing…
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Guy Livingston
Faculty of Humanities
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Relaunch MOOC: 'The Importance and Power of Music in our Society'
This Spring we relaunched our free online course The Importance and Power of Music in our Society.
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Voorleesmiddag Marokkaans Arabisch ض /Tamazight ⵣ
Arts and culture, Een verhaal in een andere taal: de meerwaarde van meertaligheid
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The Musical Work, Free Improvisation, and Live Electronics: Towards an Integrated Musical Paradigm.
Composer, bass player and ACPA alumnus Ilya Ziblat Shay presented a paper at the Music Weekend and Midlands New Music Symposium, organised by Nottingham Forum for Artistic Research.
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The ‘harpe organisée’, 1720‐1840, Rediscovering the lost pedal techniques on harps with a single‐action pedal mechanism
The “harpe organisée”, 1720-1840: Rediscovering the lost pedal techniques on harps with a single-action pedal mechanism, is the title of Maria Christina Cleary's PhD thesis. This is the first monographic study on harp pedal techniques, tracing the historical way to pedal on the early pedal harps with…
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MOOC Music & Society starts October 16
MOOC Music & Society
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Lecture series “Early Music as Discipline”
In a series of six lectures, Jed Wentz, the Utrecht Early Music Festival’s artistic adviser, will acquaint you with subjects central to the developments in early music worldwide. First lecture starts 15 October!
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Dinko Fabris appointed professor: 'Music must live'
Musicologist Dinko Fabris has been appointed professor at the Academy of Creative and Performing Arts (ACPA). He started on 1 September. 'I’m looking forward to making a connection with society.'
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‘Music has so many positive effects’
This year, Leiden University celebrates its 444th birthday – and when you’re giving a party, you need great music! Neuropsychologist Rebecca Schaefer agrees. She has been fascinated by music since she was a child, and now she studies how music can make us happy, give us energy or calm us down.
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Book launch ‘The promise of music’
Over the past year, the lectorate ‘Music, Education & Society’ has worked on a publication with contributions from students and staff from the KC called 'The promise of music'.
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Extended piano techniques : in theory, history and performance practice
Playing the piano with your forearm, plucking the strings, sawing through the piano: pianist Luk Vaes's doctoral dissertation covers all the techniques of play for which a piano is NOT designed. His defence ceremony will consist of three concerts and a public defence. 'Musicians were using the interior…
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New digital music label Strange Strings
Richard Barrett has launched a new digital music label on Bandcamp.
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Kick-off MOOC Music & Society
On January 9 the ACPA kicked off their first MOOC Music & Society. And with 1700 (!) applicants we dare to say it is a success!
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The amorphous 6-string
This research intents to redefine the limits of the electric guitar.
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La Cetra Cornuta : the Horned Lyre of the Christian World
What was the stringed instrument known in medieval and early Renaissance Italy as “cetra”?
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Rachel Beckles Willson appointed professor by special appointment: ‘Music is interwoven with the big questions of our time’
Rachel Beckles Willson started her career as a concert pianist but was later captivated by the Middle Eastern stringed instrument called the oud. On 1 December, she was appointed professor by special appointment of 'Intercultural Performing Arts'.
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Music sensitivity parrots put to the test
A meeting place for singing parrots. That is one of the ambitions of Michelle Spierings’ new project. With her awarded NWO XS grant, she wants to test the parrots’ hearing ability. ‘I am curious to see how they can recognise and imitate changing melodies. And it would be amazing to test that with a…
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Rebecca Schaefer on 'Learning with music can change brain structure'
Using musical cues to learn a physical task significantly develops an important part of the brain, according to a new study co-authored by Leiden psychologist Rebecca Schaefer. The results are published in the journal Brain & Cognition.
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Online college at ACPA with MOOC Music & Society
The Leiden University Academy of Creative and Performing Arts (ACPA) will start in January 2017 with their first MOOC through Coursera: Music & Society. MOOC stands for massive open online course and is a relatively new phenomenon of open access and free internet education in the United States. Big…
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Music: listening through analysis, 2nd semester starts March 23
Through the Academy of Creative and Performing Arts, multiple gifted bachelor and master students of Leiden University and the University of the Arts The Hague can fully develop both their artistic and academic talents by choosing academic or artistic minors or electives.
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New project on musical robots for people with dementia
Under the umbrella of a recently NWO grant focused on using AI to increase quality of life for people with dementia, Rebecca Schaefer’s Music, Brain, Health Technology group will collaborate with TU Delft to co-create social agents focusing on musical interactions together with people with dementia.
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Coming this fall: Al-Babtain visiting professor Maribel Fierro
This fall, LUCIS will have the pleasure of welcoming Professor Maribel Fierro, Research Professor at the CSIC (Consejo Superior de Investigaciones Científicas, Madrid), to Leiden. She is the third Abdulaziz Saud Al-Babtain Cultural Foundation Visiting Professor in Arabic Culture at Leiden University…