Although the world has made tremendous progress in health, education, sanitation and hygiene, global public health challenges still exist. Disparities in health exist between and within nations as evidenced by inequalities in disease burden, mortality, nutrition and environmental well-being. How does…

The World Politics Major at Leiden University College The Hague examines the big ideas and the powerful forces – political, military, economic, social and cultural – that shape the world at every level, from the global to the local and everything in between. Political conflict is a key driver of many…

At the start of the 20th century there were fewer than 2 billion people. Now at over 7 billion, Earth’s population is on target to reach 8 billion by 2027. How has this dramatic increase in human population impacted Earth’s life support systems and natural resources? How should we understand the meaning…

Home to the International Court of Justice and the International Criminal Court, The Hague is the perfect backdrop to explore conceptions of justice in our global society. Questions of human rights, peace, security and the environment present legal and policy challenges for governmental and non-governmental…

Ms. Monica Klasing Chen defended her thesis on 16 December 2020

Subjects Barbarian, Monstrous, and Wild responds to a contemporary political climate in which historically invested figures of otherness—barbarians, savages, monsters—have become common discursive currency.

The first of the two volumes of this co-authored study has just been published by Metzler. The study explores the history of the concept ‘barbarism’ from the 18th century to the present and illuminates its foundational role in modern European and Western identity.

This study is an attempt to reconstruct the muted violent past by breaking the monopoly of the Turkish state over the memory of the Armenian genocide.

The transformation of the myriad of medieval kingdoms, principalities, local lordships, city-‘states’ and peasant ‘republics’ into ‘modern’ states, claiming some measure of sovereignty, remains one of the core themes of European history, because it gets down to the very root of the (idea on the) Europe…

On the 22nd of April, Liszt Vianna Neto successfully defended a doctoral thesis and graduated. The Leiden University Centre for Linguistics congratulates Liszt Vianna Neto on this achievement.

This book provides an overview of critical scholarly reflections on the history of Dutch slavery and colonization, as well as how this translates into critical cultural practices.

In this latest contribution to mimetic studies, Nidesh Lawtoo joins forces with leading international theorists of the posthuman to broaden the reach of the mimetic turn beyond human imitation.

On 1 November, Stijn Bussels assumed his role as professor of Art History, especially before 1800 at Leiden University. The chair is located at the Leiden University Centre for the Arts in Society (LUCAS).

Dina Ishak Bakhoum defended her thesis on 21 January 2021

On 1 January Minna Valjakka was appointed Professor of Contemporary Art History and Theory from a Global Perspective. Valjakka sees her appointment as 'extremely topical' because of the discussions about the decolonisation of the arts: 'Art teaches us not just about art, but also about contemporary…

'The Routledge Handbook of Civil and Uncivil Society in Southeast Asia' explores the nature and implications of civil society across the region, engaging systematically with both theoretical approaches and empirical nuance for a systematic, comparative, and informative approach.

ACPA Professor of Auditory Culture and Music Philosophy Marcel Cobussen and ACPA PhD Supervisor Vincent Meelberg are, together with composer and Simon Fraser University Professor Barry Truax, editors of the recently published Routledge Companion to Sounding Art.

The ARTIVES project studies imaginaries of diversity portrayed by artists in Lisbon and Rotterdam in their films, performances and (oral) literature with the aim to explore their transgressive potential of opening up possibilities of thinking differently about migration-related diversity. Their stories…

From 11 to 17 September, Leiden will be all about art and science. What can the combination of these two domains do for us? And how can cooperation between them be strengthened? Several public events and a brand new symposium for specialists should answer these questions.

Research in and through art is an inseparable part of the artistic or design practice of the researcher. Consequently, research-in-art (as opposed to research-about-art, such as art history) does not have a set goal or expected result, nor are there predetermined general procedures. The outcome of the…

The recent rise in global migration movements and the simultaneous attempts to prevent migrations to the Global North in general and Europe in particular have produced numerous images and narratives that try to record and convey these events and their actors.

Josien de Klerk and Tennessee Miller examined the interplay between students’ illness and recovery experiences and academic work culture in this context.

Many students dread writing a thesis. Master’s student Laura Robustella's practice-based thesis shows that it is well worth the effort. She developed an art exhibition based on her master’s thesis.

This doctoral project by artist and educator Luiz Zanotello engenders a postcolonial understanding of time, space and movement by means of artistic research methods. The project examines the contradictory effects of the abyssal line of thought within the tropics as a starting point.

How can we view societal challenges from a different perspective? At the EuroScience Open Forum (ESOF), Robert Zwijnenberg, Emeritus Professor of Art and Science Interactions, will call for more collaboration between artists and scientists.

Where in the model of contemporary art, which can be described as a hybrid and joint undertaking between artists, institutions, curators, theory and discursivity, is the actual 'object' of art located and generated? Where and by whom and in what configuration of positions is it produced? Who or what…

This doctoral trajectory explores sound, its image and its role in relating humans and our technologies to the environment.

In his Inaugural lecture of February 10th Prof. dr. Henk Borgdorff advocated positive understanding of artistic research, of reasoning in and through art, within academia.

A new outreach initiative for the communication of artistic research!

The second and final volume of this co-authored study has just been published by J.B. Metzler. This second monograph explores the history of the concept of barbarism in the twentieth and twenty-first centuries.

Barbarism: from the 18th century to the present.

On 16 May 2023, Jan Aart Scholte presented research on the Regional Internet Registries to the annual conference of GIG-ARTS in Padua.

Two statues of gorillas abducting women: they were what led PhD candidate Dick van Broekhuizen to write a new type of history of nineteenth-century sculpture. ‘If you view nineteenth-century art history from a less narrow perspective, the narrative changes completely.’ PhD ceremony on 21 June.

Steven Frost defended his thesis on 6 June 2017

On the initiative of Leiden Law School’s Art Committee, the festive opening of the photo exhibition of the Leiden Amateur Photographic Society (LAFV) took place on Friday 20 May 2022 in the C corridor of the Kamerlingh Onnes Building.

On Thursday 12 October 2017 Janneke Wesseling will give a lecture as part of the Studium Generale Programme at Eindhoven University of Technology (TU/e).

Bruno Munari (1907–1998) was a prolific and influential artist, designer, and writer. Alessandro Colizzi’s study is the first extensive, detailed record of Munari’s graphic design production, and as such provides a substantial base for a full understanding of his oeuvre.

For twenty years, the Art History study programme had its own journal, the highly successful Decorum, which was written and edited by students. When the last editor left, the magazine ceased publication. Now, more than 20 years later, it’s time for a new Art History journal.