1,695 search results for “experimental music” in the Public website
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Artistic Experimentation in Music – An Anthology
In October 2014 a new publication on artistic research has been launched. The book is called Artistic Experimentation in Music. An Anthology, edited by Darla Crispin and Bob Gilmore, and published by Leuven University Press.
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creative exploration of 1960s and 1970s experimental rock music through the practice of electroacoustic music
The research project of Yannis Patoukas proposes to explore the different intersections between experimental rock music of the 1960s and 1970s and electroacoustic music, with regard to studio practices and production techniques and their creative possibilities.
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Composed Performers: The music-making body from a compositional perspective
Composer Paul Craenen (1972) is actually a pianist, but as part of his PhD ceremony, he performed a composition on PVC pipes. Craenen studies the position and role of the body in music. ‘I am interested in what precedes the resulting sound’.
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Between air and electricity : microphones and loudspeakers as musical instruments
This thesis investigated how microphones and loudspeakers could become musical instruments.
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Arend Strootman
Faculty of Humanities
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Extended piano techniques : in theory, history and performance practice
Playing the piano with your forearm, plucking the strings, sawing through the piano: pianist Luk Vaes's doctoral dissertation covers all the techniques of play for which a piano is NOT designed. His defence ceremony will consist of three concerts and a public defence. 'Musicians were using the interior…
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The amorphous 6-string
This research intents to redefine the limits of the electric guitar.
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Metaxical Amplification as an Alternative Sonic Environment for Classical Music Performance
Heloisa’s doctoral research examines classical music performance from a curatorial perspective, reflecting upon and challenging the traditional configuration of performance environments.
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Music Cognition
Knowledge and culture subproject 1:
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Experimental Systems: Future Knowledge in Artistic Research
The experimental approach of science applied to artistic research
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Tactile Paths: on and through notation for improvisers
Tactile Paths is an artistic research project that aims to expand and articulate the feedback between notation and improvisation in experimental music.
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The cognitive continuum of electronic music
How do we experience electronic music? How does electronic music operate on perceptual, cognitive and affective levels? What are the common concepts activated in the listener’s mind when listening to electronic music? Why and how are these concepts activated?
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Ansell & Bartenberger, ‘Varieties of experimentalism’
Experimentalism has emerged as a prominent approach for addressing environmental problems. Christopher Ansell (Berkeley) and Martin Bartenberger (Leiden University) survey the diversity of experimentation methods, identifying their strengths and weaknesses, and suggesting possibilities for fruitfully…
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Materialization of fixed media music - Towards performance/interpretation of fixed media electroacoustic music
What are the critical elements in sonic materialization of fixed media electroacoustic music and how can these parameters be classified? How would interpretation be defined in performing fixed media music? What are the creative and new ways of presenting fixed media music by incorporating all the presentation…
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Music Studies
What roles does music play within our society? How does current society influence music? And vice versa: how does music influence, for instance, politics, media and technology? The minor Music Studies offers you a different way of thinking about music. Music is more than just a form of art, more than…
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The Cognitive Continuum of Electronic Music
From The Cognitive Continuum of Electronic Music:
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Musical Jazz
Arts and leisure, Arts and leisure
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Experimental Linguistics
How do we process language and speech? How do we integrate information at different levels – intonation, sentence structure, meaning, tone, words, sounds - and how does information at one level interact with information at another level?
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Experimental project Huize Horsterwold
The project’s main aim was to build a reconstruction of a prehistoric house plan, without using any metal tools. How effective are tools made of stone, flint, bone, antler and wood? What are the constraints imposed by the various building materials? How much labour do we need and how much knowledge…
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Singing & Music
The Leiden Academic Course Center offers a large variety of short and longer music courses. The music category includes various Singing courses, but also courses such as Private guitar lessons and Musical. A number of courses are offered at different levels. Singing basics course is suitable for complete…
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Music Studio
The music studio is a multipurpose room measuring 9.4 x 8.9 m, with marmoleum on the floor and 40 chairs. Piano available.
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Topic: Music and health
Music can affect how we feel, think, and behave. But how do we learn about the specifics of people's responses to music so that we can apply this to health and well-being? By looking at characteristics of the music, as well as the differences between listeners, we hope to better understand as well as…
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Experimental Linguistics Lab Facilities
Psycholinguistic research
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An Improvisatory Approach to Nineteenth-Century Music
In the field of Western art music, improvisation has become a much discussed topic. In this interdisciplinary study I argue that in this context, improvisation is not to be seen as a quasi-autonomous skill or art form, but as an aspect of music-making in general.
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Restructuring Classical Music
How can classical music be restructured while still retaining the core of what we love about its repertoire and our ability to share it with audiences, while coming up with ways of making it financially viable.
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THE PRONUNCIATION OF MUSIC - A matter of expression
The aim of this research is to define the relationship between sources of articulation for different kinds of instrument in the period between the beginning of XVI century (first extant indications) and the end of XVIII century.
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Formal Theoretical and Experimental Linguistics
The research programme Formal Theoretical and Experimental Linguistics brings together LUCL researchers who focus mainly on formal theoretical and experimental linguistics.
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Computed fingertip touch for the instrumental control of musical sound with an excursion on the computed retinal afterimage
Promotor: Prof.dr. S. Haring
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NIA - Music, Movement, Magic
Arts and leisure, Arts and leisure
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Popular Music in Southeast Asia
From the 1920s on, popular music in Southeast Asia was a mass-audience phenomenon that drew new connections between indigenous musical styles and contemporary genres from elsewhere to create new, hybrid forms. This book presents a cultural history of modern Southeast Asia from the vantage point of popular…
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Crossing boundaries in improvised music
Developing new methods for performing improvised music
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Giuliano Bracci
Faculty of Humanities
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Multiple Paths. Towards a Performance Practice in Computer Music
This thesis proposes multiple paths towards the development of a performance practice in Computer Music.
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The pathways of music improvisers
Improvisers in experimental music do not record their music in a conventional score, but in ever-changing 'tactile pathways'. This is the proposition put forward by researcher Christopher Williams. PhD defence 13 December.
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docARTES
docARTES is a doctoral programme for performers and composers. It offers a unique environment for critical reflection on musical practice.
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CANTOS DA FLORESTA (FOREST SONGS) - Exchanging and Sharing Indigenous Music in Brazil
How is it possible to play a song that is part of the rituals of other people? How to transpose an idea to the stage while maintaining respect for indigenous communities? Are these performances a way of throwing light on these indigenous communities looking for a strategy of decolonization? How is it…
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Musical (Singing/dance/theater) | Intermediate/advanced
Arts and leisure, Arts and leisure
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Musical (singing/dance/theater) | beginners/intermediate
Arts and leisure, Arts and leisure
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tools, functions and potentials of speed within rhythmical frames in music
What are the precise identities, possibilities and current practice examples of the various time frames in music and what bearings do they have individually and in combinations on the speed of the music?
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Relative pitch in music and language
Knowledge and culture subproject 1:
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The music of language: exploring grammar, prosody and rhythm perception in zebra finches and budgerigars
Promotor: C.J. ten Cate
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THE 8' AND 16' VIOLONE IN J. S. BACH'S MUSIC
What type of violones were used to perform Bach’s music in his time? And which octaves and tunings are appropriate for his stringed bass instruments?
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Small music studio with piano
The small piano studios at the LAK are available to rent for practice purposes. You can either rent the studios per hour or get a subscription. There are Yamaha pianos available in the studio's, but you can also use the space to practice with your own instrument.
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EXPRESSIVE FUNCTIONS OF FLEXIBLE TREATMENT OF MUSICAL TIME, IN THE PERFORMANCE OF 19TH CENTURY MUSIC
This research will focus on the relationship between the musical structure and musical time in the performance of 19th century music.
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The influence of music training in speech processing
In this project, we plan to combine two strands of research in speech processing: (a) the impact of prosody on speech processing and (b) the impact of musical training on speech processing. In our project we will test 8 year-old children with different degrees of musical training: (a) primary school…
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Musika: The becoming of an artistic musical metaphysics
“Music is about everything else,” theater director Peter Sellars said upon accepting his Polar Music Prize back in 2014. Although it is about particular musical problems, Stanimiras dissertation is about ‘everything else’, too. What and how that is, could be summed up in different ways depending on…
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An Improvisatory Approach to Nineteenth-Century Music
In the field of Western art music, improvisation has become a much discussed topic. In this interdisciplinary study I argue that in this context, improvisation is not to be seen as a quasi-autonomous skill or art form, but as an aspect of music-making in general.
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Decentering Gagaku. Exploring the multiplicity of contemporary Japanese Court music
Andrea Giolai defended his thesis on 3 May 2017.
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Sonic Recollecting Resonances: Indonesian-Dutch Musical Encounters
Over time Dutch and Indonesian composers, performers and music scholars have inspired each other and they continue to do so. The presence of the Dutch in the Netherlands East-Indies and Indonesia, but also the existence of large diasporic communities in the Netherlands have contributed to a mutual exchange…
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Ritualization of concert practice in Russian post-minimalist music
This research is driven by the necessity to investigate the subject of performing instrumental works by Russian post-minimalist composers, and to explore possibilities of incorporating the spiritual ideas that informed those works in a concert practice.