Staging the Archive: Art and Photography in the Age of New Media is dedicated to art practices that mobilize the model of the archive, demonstrating the ways in which such archival artworks probe the possibilities of what art is and what it can do.

Ethnography and Photography in a Moroccan Berber Village

Commonplace - Photographs from the Drummond-Fyvie Collection and the Ngilima Collection. By Tamsyn Adams and Sophie Feyder.

How can we understand the material instability of photographic (mixed media) artworks (1960s - present) from an integrated approach of Art History, Conservation Science and Chemistry in order to preserve these works for the future?

This study links up the concept of place with memory, with the idea of transience and the transition from life to death.

Does the sitter have agency in the making of a photographic portrait? And if so how?

In the South African context, certain iconic images have been a dominant source for public understandings of historical events. The emphasis given these images tends to overshadow the historical value of other more personal photographic sources – like studio or amateur photography. This project looks…

This research cluster centres on regional, national, and global intersections and interactions between a variety of artistic expressions and society. It focuses not only on objects (artistic, literary, cinematic, and medial), but also on practices (aesthetic, political, and cultural).

Maartje van den Heuvel, researcher and curator of photography at Leiden University, will be giving a tutorial next semester to master students of Film & Photographic Studies. A great opportunity for them to work with an exceptional collection from the Leiden University Library. Van den Heuvel explains…